There are some films that make such an impression, that they stick with us for the rest of our lives. Maybe it's the shock of witnessing a groundbreaking style, or the excitement of meeting unforgettable characters that seduces us as viewers. Whatever it is, something about Michelangelo Antonioni's Blow Up is addictive even upon a first viewing. Of course the Mod elements of the film are enrapturing, but it's the subtle way in which mystery, suspense and sexuality are interwoven into the story that really inspires me. Great storytelling comes in many forms, but it's always eye-opening to look at the documentation of new and innovative ways to tell those stories. Even though Blow Up was released in 1966 it's still fresh and evocative, in more ways than one. I can't deny that this Yardbirds scene is eerily reminiscent of some Brooklyn shows I've been to. I guess some things never change.
Laura E. Marcus was born and raised in Montreal, Canada, leaving her beloved city for a Midwestern education in 2001. In 2006 she moved to New York City, putting pen to paper at various publications throughout the city. Her writing has been featured in TRACE, SPIN, Gotham, Los Angeles Confidential, Sur La Terre, Heeb and VenusZine. She lives on a quiet block in the East Village with her two cats Monsieur Petit Cochon and Mr. Littlejeans, but swears she's not a crazy cat lady.
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